The Big Do was recorded on Aug. 6, 1940. Gene has often been considered to be the first drum “soloist.” Drummers usually had been strictly time-keepers or noisemakers, but Krupa interacted with the other musicians and introduced the extended drum solo into jazz. His goal was to support theGene with Avedis Zildjian. other musicians while creating his own role within the group. Gene is also considered the father of the modern drumset since he convinced HH Slingerland, of Slingerland Drums, to make tuneable tom-toms. Tom-toms up to that point had “tacked” heads, which left little ability to change the sound. The new drum design was introduced in 1936 and was termed “Seperate Tension Tunable Tom-Toms.” Gene was a loyal endorser of Slingerland Drums from 1936 until his death. Krupa was called on by Avedis Zildjian to help with developing the modern hi-hat cymbals. The original hi-hat was called a “low-boy” which was a floor level cymbal setup which was played with the foot. This arrangement made it nearly impossible for stick playing. Gene’s first recording session was a historical one. It occured in December of 1927 when he is noted to be the first drummer to record with a bass drum. Krupa, along with rest of the McKenzie-Condon Chicagoans were scheduled to record at OKeh Records in Chicago. OKeh’s Tommy Rockwell was apprehensive to record Gene’s drums but gave in. Rockwell said “All right, but I’m afraid the bass drum and those tom-toms will knock the needle off the wax and …
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