This video is about the nature of what Im going to call cheaper brand turntables it a question I get asked almost every day. In the video I compare 2 turntables a prosound L64AA DDT (direct drive turntable) and a technics SL 1210 MK2, both claim to be professional and robust turntables, but with a difference one cost half the amount as the other but does this make a difference?… THIS IS A MESSAGE TO ALL VEIWERS. if you own or have ever owned a pier of the prosound L64AA DDT or you know someone who does please leave a comment and let me know I would just like to see if there are a lot of them out there because in the last 4 years they seem to have become quite rare, and of cores feel free to leave your verdict on these turntables NICE ONE!!!
Rappppppper blackmoon – Two Turntables And A Mic – War Zone
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Here’s an uptempo set, it’s not finished yet. I trigger drumkits within Ableton Live with the M-Audio trigger finger, I record the drums into an empty clip slot and then add layers of sound on top of the drums. I also use the crossfader within Live which is assigned to a number of tracks …very cool feature. ps Scratching in 90 degree weather SUCKS!!!
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Kid Koala reinterpreating Moon River at Picnic Electronik in Montreal
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My first video with the loop pedal. Hope you enjoy.
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YOHEI HIBIKI (DJ / Turntablist) Mainly working with Techno, Minimal and Techno-House sounds DJ HIBIKI YOHEI is creating his own place in the club scene. A battle contest champion at scratch as well as possessing a great live feel as a DJ he has established an independent style. Besides playing live at various Tokyo clubs since 2004 he has also toured several cities in Vietnam and the Philippines with SKUNKRICE and appeared with turntable masters Q-bert and P-Trix showing his diverse range as he pursues many different directions. -2005 VESTAX NOTRICKS SCRATCH DJ BATTLE CHAMPION -2005 VESTAX NOTRICKS GRANDCHAMPIONSHIP FINALIST
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nativeinstrumentsproducts.blogspot.com Brought out the wheels again on this one Turntablism is the art of manipulating sounds and creating music using phonograph turntables and a DJ mixer. The word ‘turntablist’ was coined in 1995 by DJ Babu[1] to describe the difference between a DJ who just plays records, and one who performs by touching and moving the records, stylus and mixer to manipulate sound. The new term co-occurred with a resurgence of the art of hip hop style DJing in the 1990s. John Oswald described the art: “A phonograph in the hands of a ‘hiphop/scratch’ artist who plays a record like an electronic washboard with a phonographic needle as a plectrum, produces sounds which are unique and not reproduced — the record player becomes a musical instrument.”[2] Hip-hop turntablist DJs use turntable techniques like beat mixing/matching, scratching, transforming, and beat juggling. Some turntablists seek to have themselves recognized as legitimate musicians capable of interacting and improvising with other performers. Some focus on turntable technique while others craft intricate compositions by focusing on mixing.